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Book Chapters

WorkshopPublication‘The Place of Our Dreams: Lódź Film School and the Workshop of the Film Form’, Workshop of the Film Form, edited by Marika Kuźmicz and Łukasz Ronduda, Warsaw and Berlin:  Fundacja Arton and Sternberg Press, 2017: 201-212. ISBN: 9783956793110

‘Conceptualising the Cinematic in Contemporary Art’, in Extended Temporalities: Transient Visions in the Museum and in Art, edited by Alessandro Bordina, Vincenzo Estremo, Francesco Federici, Milan and Udine: Mimesis International, 2016: 73-86. ISBN: 9788869770517

(Contributor, panel discussion) ‘On the Present and Future of Curatorial Education’, Great Expectations: Prospects for the Future of Curatorial Education, edited by Leigh Markopoulos, London: Koenig Books, with California College of the Arts and Banff International Curatorial Institute, The Banff Centre, 2016. ISBN: 9783863359140.

(Published in German) ‘Gillian Wearings delegierte Performer. Schauspieler, Trinker und soziale Körper’, in Ortsbestimmungen: Das Dokumentarische zwischen Kino und Kunst, edited by Eva Hohenberger and Katrin Mundt, Berlin: Vorwerk 8, 2016: 203-216. ISBN: 9783940384805

‘Trailer Time: Cinematic Expectations and Contemporary Art’, Exhibiting the Moving Image: History Revisited, edited by François Bovier and Adeena Mey, Zurich: JRP Ringier, 2015: 130-153. ISBN: 9783037643884

‘The Museum as TV Producer: Televisual Form in Curating, Commissioning and Public Programming’, (with disscussion of  CAC TV, Simon Denny, GALA Committee, Karen Guthrie and Nina Pope, David Hall, LuckyPDF and Christian Jankowski, among others), International Handbooks of Museum Studies: Volume 3: Museum Media, edited by Michelle Henning, Oxford: Wiley-Blackwell, 2015: 121-143. ISBN: 9781405198509

‘Time-Based Art’, Art and Architecture of Ireland, Volume Three: Sculptors and Sculpture 1600-2000, ed. Paula Murphy, Dublin and New Haven: Royal Irish Academy and Yale University Press, 2014: 530-533. ISBN: 9780300179217

‘Blog Time’, Cultures of the Curatorial 2: TIMING – On The Temporal Dimension of Exhibiting, edited by Beatrice von Bismarck, Rike Frank, Benjamin Meyer-Krahmer, Jörn Schafaff and Thomas Weski, Berlin: Sternberg Press, 2014: 211-214. ISBN 9783943365993

‘Celtic Revivals: Jim Fitzpatrick and the Celtic Imaginary in Irish and International Popular Culture’
in Linda King and Elaine Sisson (ed.s), Ireland, Design and Visual Culture: Negotiating Modernity 1922-1992, Cork University Press, 2011: 251-265. ISBN 9781859184721

‘A bit of a traveller in everybody: Traveller Identities in Irish and American Culture’
in Diane Negra (ed), The Irish In Us: Irishness, Performativity and Popular Culture, Duke University Press, 2006: 282 – 317. ISBN 9780822337409

‘Theorising Irish Animation: Heritage, Enterprise and Critical Practice’
National Cinema and Beyond: Studies in Irish Film 2, edited by John Hill and Kevin Rockett,
Dublin: Four Courts Press, 2005: 79-89. ISBN 9781851829538

‘From No Wave to National Cinema: The Cultural Landscape of Vivienne Dick’s Early Films (1978-1985)’
in Kevin Rockett and John Hill (eds.), National Cinema and Beyond: Studies in Irish Film 1,
Dublin: Four Courts Press, 2004: 61-76. ISBN 9781851828739

‘Between the Seasons’
The Glass Eye: Artists and Television,
edited by Maeve Connolly and Orla Ryan, Dublin: Project Press, 2000: 42-53. ISBN 1872493181