{"id":29,"date":"2015-07-15T15:24:24","date_gmt":"2015-07-15T15:24:24","guid":{"rendered":"http:\/\/maeveconnolly.net\/?page_id=29"},"modified":"2023-12-19T16:23:59","modified_gmt":"2023-12-19T16:23:59","slug":"academic-journal-articles","status":"publish","type":"page","link":"https:\/\/maeveconnolly.net\/index.php\/publications\/academic-journal-articles\/","title":{"rendered":"Journal Articles"},"content":{"rendered":"

Review of Radical Mainstream<\/em> by Colin Perry, MIRAJ<\/em>,\u00a0<\/em><\/strong>Issue 10.1\/2 \u2013 Special Ecologies double issue, 2021, pp. 244-250. https:\/\/doi.org\/10.1386\/miraj_00073_5<\/a><\/p>\n

‘Exhibiting the End: Curatorial Scenarios of Burial, Contagion and Extinction<\/a>\u2019, Journal of Curatorial Studies<\/em> 7.1, 2018, 96-120.<\/p>\n

(Review article) Review of Venice Biennale 2017,<\/a> MIRAJ<\/em> 7:1, 2018, 176-185.<\/p>\n

‘Archiving Irish and British Artists Video’<\/a> (Interview and discussion) MIRAJ 5.1&2, <\/em>2016, 204-215.<\/p>\n

\u2018Chance, Flow and Measurement: Reviewing the Conference TIMING –\u00a0On The Temporal Dimension of Exhibiting\u2019<\/a><\/strong>, Art & the Public Sphere<\/i>, volume 1, number 3, 2014, 324-329.<\/p>\n

\u2018Shared Viewing: Moving Images in the Cinema and Museum\u2019<\/a><\/strong>,
\nMillennium Film Journal<\/i> 58, 2013: 18-27.<\/p>\n

\u2018Television, Outmoded Technologies and the work of Lana Lin\u2019<\/a><\/strong>,
\nMoving Image Review & Art Journal<\/i> 2.2., 2013: 282-289.<\/p>\n

‘Artangel and the Changing Mediascape of Public Art\u2019<\/a><\/strong>,
\nJournal of Curatorial Studies<\/i> 2.2, 2013: 196-217.<\/p>\n

\u2018Televisual Objects: Props, Relics and Prosthetics\u2019<\/a><\/strong>,
\nAfterall<\/i> 33 (2013): 66-77.<\/p>\n

\u2018European Television Archives, Collective Memories and Contemporary Art\u2019<\/a><\/strong>,
\nThe Velvet Light Trap<\/i> Issue 71, Spring 2013: 47-58.<\/p>\n

\u2018Cinematic Space, Televisual Time and Contemporary Art\u2019<\/a><\/strong>,
\nCritical Quarterly<\/i> 54.3, 2012: 31-45.<\/p>\n

\u2018Temporality, Sociality, Publicness: Cinema as Art Project\u2019<\/a>
\nAfterall<\/i> 29, Spring 2012: 4-15.<\/p>\n

\u2018Apperception, Duration and Temporalities of Reception: The Repetition Festival Show\u2019<\/a><\/strong>
\nMoving Image Review & Art Journal<\/i> 1.1, 2012: 53-57.<\/p>\n

‘Looking Backwards into the Future: Steadicam Cinematography, Narrative Space and Urban Regeneration’<\/a><\/strong>
\nThe Irish Review<\/i> 39.1, Winter 2008: 78-92.<\/p>\n

‘Of Other Worlds: Nature and the Supernatural in the Moving Image Installations of Jaki Irvine’ <\/a>
\nScreen<\/i> 49, Issue 2, Summer 2008: 203-208.<\/p>\n

‘Sighting an Irish Avant-garde in the intersection of Local and International Film Cultures’<\/a><\/strong>
\nBoundary 2: International Journal of Literature and Culture<\/i>, vol.31 no. 1, spring 2004: 244-265.<\/p>\n

‘A Cause for Celebration? Festivals of Irish Film At Home and Abroad’<\/a><\/strong>
\nMoving Worlds: A Journal of Transcultural Writings<\/i> vol 3 no 1, 2003: 18-32.<\/p>\n

‘Re-imagined Communities? Ireland, Europe and the Web as Shifting Sites of Television Discourse<\/a>‘\u00a0<\/strong>Irish Communications Review<\/i>, vol 9, 2003: 1-7.<\/p>\n","protected":false},"excerpt":{"rendered":"

Review of Radical Mainstream by Colin Perry, MIRAJ,\u00a0Issue 10.1\/2 \u2013 Special Ecologies double issue, 2021, pp. 244-250. https:\/\/doi.org\/10.1386\/miraj_00073_5 ‘Exhibiting the End: Curatorial Scenarios of Burial, Contagion and Extinction\u2019, Journal of Curatorial Studies 7.1, 2018, 96-120. (Review article) Review of Venice Biennale 2017, MIRAJ 7:1, 2018, 176-185. ‘Archiving Irish and British Artists Video’ (Interview and discussion) … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":9,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/pages\/29"}],"collection":[{"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/comments?post=29"}],"version-history":[{"count":31,"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/pages\/29\/revisions"}],"predecessor-version":[{"id":1889,"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/pages\/29\/revisions\/1889"}],"up":[{"embeddable":true,"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/pages\/9"}],"wp:attachment":[{"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/media?parent=29"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}