{"id":35,"date":"2015-07-15T15:27:43","date_gmt":"2015-07-15T15:27:43","guid":{"rendered":"http:\/\/maeveconnolly.net\/?page_id=35"},"modified":"2020-10-19T11:46:43","modified_gmt":"2020-10-19T11:46:43","slug":"book-chapters","status":"publish","type":"page","link":"https:\/\/maeveconnolly.net\/index.php\/publications\/book-chapters\/","title":{"rendered":"Book Chapters"},"content":{"rendered":"

\u2018Materialising the Body of the Actor: Labour, Memory and Storage\u2019 in Theorizing Film through Contemporary Art: Expanding Cinema<\/em>,<\/em> edited by Jill Murphy and Laura Rascaroli, Amsterdam University Press, 2020: 83-99. ISBN: 9789462989467<\/p>\n

\u2018Women Cinematographers and Changing Irish Production Cultures\u2019, Women in Irish Film: Stories and Storytellers<\/em>, edited by Susan Liddy, Cork: Cork University Press, 2020: 83-98. ISBN: 9781782053736<\/p>\n

\u2018The Artist as Director: Features, Film Production and the Projective Economy\u2019, in Artists\u2019 Moving Image in Britain since 1989<\/em>, edited by Erika Balsom, Lucy Reynolds and Sarah Perks, London and New Haven: Paul Mellon Centre for Studies in British Art, 2019: 169-185 ISBN: 9781913107017<\/p>\n

\u2018Choreographing Women\u2019s Work: Multitaskers, Smartphone Users and Virtuoso Performers\u2019 in W<\/em>omen Artists, Feminism and the Moving Image: Contexts and Practices,<\/em> edited by Lucy Reynolds, London: Bloomsbury, 2019: 215-227, ISBN: 97817845370<\/p>\n

\u2018Irish Cinema\u2019s First Wave: Histories and Legacies of the 1970s and 80s’,<\/a>\u00a0A Companion to British and Irish Cinema<\/em>, edited by John Hill, Oxford: Wiley-Blackwell, 2019: 106-126, ISBN 9781118477519<\/p>\n

Feminism, Ireland and Women\u2019s Video Art\u2019<\/a>\u2019 European Women\u2019s Video Art<\/em>, edited by Laura Leuzzi, Elaine Shemilt and Stephen Partridge, Barnet: John Libbey Publishing, 2019: 139-156. ISBN: 9780861967346<\/p>\n

\u2018Inszenierungen mobilen Betrachtens in Bewegtbild-Installationen von Amanda Beech, Philippe Parreno und Ryan Trecartin\/Lizzie Fitch\u2019, Trans. Astrid Sommer, in Display \u01c0 Dispositiv: Asthetische Ordnungen,<\/em> edited by Ursula Frohne, Lilian Haberer and Annette Urban, Munich: Wilhelm Fink, 2018: 185-204. ISBN: 9783770556342\u00a0 Download English language manuscript here<\/a><\/p>\n

\u2018The Place of Our Dreams: L\u00f3d\u017a Film School and the Workshop of the Film Form\u2019<\/a>, (published in English and Polish translation), Workshop of the Film Form<\/em>, edited by Marika Ku\u017amicz and \u0141ukasz Ronduda, Warsaw and Berlin:\u00a0 Fundacja Arton and Sternberg Press, 2017: 201-212. ISBN: 9783956793110<\/p>\n

(Conference Reader, published in English and Korean), \u2018Electronic Superhighway: Nam June Paik and the Infrastructure of Circulation\u2019, NJP Reader<\/em> #6: Reanimating Nam June Paik 8, <\/em>edited by Jihoon Kim, <\/em>Seoul: Nam June Paik Center, 2016: 141-150. ISSN 2092-9315.<\/p>\n

‘Gillian Wearing\u2019s Delegated Performers: Actors, Drinkers and Social Bodies’, Published in German translation as \u2018Gillian Wearings delegierte Performer. Schauspieler, Trinker und soziale K\u00f6rper\u2019, in Ortsbestimmungen: Das Dokumentarische zwischen Kino und Kunst<\/em>, edited by Eva Hohenberger and Katrin Mundt, Berlin: Vorwerk 8, 2016: 203-216. ISBN: 9783940384805. English version available Here<\/strong><\/a>.<\/strong><\/p>\n

‘Conceptualising the Cinematic’<\/a>, in Extended Temporalities: Transient Visions in the Museum and in Art<\/em>, edited by Alessandro Bordina, Vincenzo Estremo, Francesco Federici, Milan and Udine: Mimesis International, 2016: 73-86. ISBN: 9788869770517<\/p>\n

(Contributor) ‘On the Present and Future of Curatorial Education (discussion)’<\/a><\/strong>, Great Expectations: Prospects for the Future of Curatorial Education<\/em>, edited by Leigh Markopoulos, London: Koenig Books, with California College of the Arts and Banff International Curatorial Institute, The Banff Centre, 2016. ISBN: 9783863359140.<\/p>\n

‘Trailer Time: Cinematic Expectations and Contemporary Art’<\/a> Exhibiting the Moving Image: History Revisited, <\/em>edited by Fran\u00e7ois Bovier and Adeena Mey, Zurich: JRP Ringier, 2015: 130-153. ISBN: 9783037643884<\/p>\n

‘The Museum as TV Producer’<\/a>,<\/strong><\/span> (with disscussion of\u00a0 CAC TV, Simon Denny, GALA Committee, Karen Guthrie and Nina Pope, David Hall, LuckyPDF and Christian Jankowski, among others), International Handbooks of Museum Studies: Volume 3: Museum Media,<\/em> edited by Michelle Henning, Oxford: Wiley-Blackwell, 2015: 121-143. ISBN: 9781405198509<\/p>\n

Time-Based Art<\/a>, <\/strong>Art and Architecture of Ireland, Volume Three: Sculptors and Sculpture 1600-2000<\/em>, ed. Paula Murphy, Dublin and New Haven: Royal Irish Academy\u00a0and Yale University Press, 2014: 530-533. ISBN: 9780300179217<\/p>\n

‘Blog Time’<\/a>,<\/strong> Cultures of the Curatorial 2: <\/em>TIMING \u2013 On The Temporal Dimension of Exhibiting<\/em>, edited by Beatrice von Bismarck, Rike Frank, Benjamin Meyer-Krahmer, J\u00f6rn Schafaff and Thomas Weski, Berlin: Sternberg Press, 2014: 211-214. ISBN 9783943365993<\/p>\n

‘Celtic Revivals: Jim Fitzpatrick and the Celtic Imaginary in Irish and International Popular Culture<\/a>‘, <\/strong>in Linda King and Elaine Sisson (ed.s), Ireland, Design and Visual Culture: Negotiating Modernity 1922-1992<\/i>, Cork University Press, 2011: 251-265. ISBN 9781859184721<\/p>\n

‘A bit of a traveller in everybody: Traveller Identities in Irish and American Culture’<\/a><\/strong>
\nin Diane Negra (ed),\u00a0The Irish In Us: Irishness, Performativity and Popular Culture<\/i>, Duke University Press, 2006: 282 – 317. ISBN 9780822337409<\/p>\n

\u2018Theorising Irish Animation: Heritage, Enterprise and Critical Practice\u2019<\/a><\/strong>
\nNational Cinema and Beyond: Studies in Irish Film 2<\/i>, edited by John Hill and Kevin Rockett,
\nDublin: Four Courts Press, 2005: 79-89. ISBN 9781851829538<\/p>\n

‘From No Wave to National Cinema: The Cultural Landscape of Vivienne Dick\u2019s Early Films (1978-1985)’<\/a><\/strong>
\nin Kevin Rockett and John Hill (eds.), National Cinema and Beyond: Studies in Irish Film 1<\/i>,
\nDublin: Four Courts Press, 2004: 61-76. ISBN 9781851828739<\/p>\n

‘Between the Seasons’<\/a><\/strong>
\nThe Glass Eye: Artists and Television<\/i>,
\nedited by Maeve Connolly and Orla Ryan, Dublin: Project Press, 2000: 42-53. ISBN 1872493181<\/p>\n","protected":false},"excerpt":{"rendered":"

\u2018Materialising the Body of the Actor: Labour, Memory and Storage\u2019 in Theorizing Film through Contemporary Art: Expanding Cinema, edited by Jill Murphy and Laura Rascaroli, Amsterdam University Press, 2020: 83-99. ISBN: 9789462989467 \u2018Women Cinematographers and Changing Irish Production Cultures\u2019, Women in Irish Film: Stories and Storytellers, edited by Susan Liddy, Cork: Cork University Press, 2020: … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":9,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/pages\/35"}],"collection":[{"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":26,"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/pages\/35\/revisions"}],"predecessor-version":[{"id":1821,"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/pages\/35\/revisions\/1821"}],"up":[{"embeddable":true,"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/pages\/9"}],"wp:attachment":[{"href":"https:\/\/maeveconnolly.net\/index.php\/wp-json\/wp\/v2\/media?parent=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}