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Book Chapters

‘Materialising the Body of the Actor: Labour, Memory and Storage’ in Theorizing Film through Contemporary Art: Expanding Cinema, edited by Jill Murphy and Laura Rascaroli, Amsterdam University Press, 2020: 83-99. ISBN: 9789462989467

‘Women Cinematographers and Changing Irish Production Cultures’, Women in Irish Film: Stories and Storytellers, edited by Susan Liddy, Cork: Cork University Press, 2020: 83-98. ISBN: 9781782053736

‘The Artist as Director: Features, Film Production and the Projective Economy’, in Artists’ Moving Image in Britain since 1989, edited by Erika Balsom, Lucy Reynolds and Sarah Perks, London and New Haven: Paul Mellon Centre for Studies in British Art, 2019: 169-185 ISBN: 9781913107017

‘Choreographing Women’s Work: Multitaskers, Smartphone Users and Virtuoso Performers’ in Women Artists, Feminism and the Moving Image: Contexts and Practices, edited by Lucy Reynolds, London: Bloomsbury, 2019: 215-227, ISBN: 97817845370

‘Irish Cinema’s First Wave: Histories and Legacies of the 1970s and 80s’, A Companion to British and Irish Cinema, edited by John Hill, Oxford: Wiley-Blackwell, 2019: 106-126, ISBN 9781118477519

Feminism, Ireland and Women’s Video Art’European Women’s Video Art, edited by Laura Leuzzi, Elaine Shemilt and Stephen Partridge, Barnet: John Libbey Publishing, 2019: 139-156. ISBN: 9780861967346

‘Inszenierungen mobilen Betrachtens in Bewegtbild-Installationen von Amanda Beech, Philippe Parreno und Ryan Trecartin/Lizzie Fitch’, Trans. Astrid Sommer, in Display ǀ Dispositiv: Asthetische Ordnungen, edited by Ursula Frohne, Lilian Haberer and Annette Urban, Munich: Wilhelm Fink, 2018: 185-204. ISBN: 9783770556342  Download English language manuscript here

‘The Place of Our Dreams: Lódź Film School and the Workshop of the Film Form’, (published in English and Polish translation), Workshop of the Film Form, edited by Marika Kuźmicz and Łukasz Ronduda, Warsaw and Berlin:  Fundacja Arton and Sternberg Press, 2017: 201-212. ISBN: 9783956793110

(Conference Reader, published in English and Korean), ‘Electronic Superhighway: Nam June Paik and the Infrastructure of Circulation’, NJP Reader #6: Reanimating Nam June Paik 8, edited by Jihoon Kim, Seoul: Nam June Paik Center, 2016: 141-150. ISSN 2092-9315.

‘Gillian Wearing’s Delegated Performers: Actors, Drinkers and Social Bodies’, Published in German translation as ‘Gillian Wearings delegierte Performer. Schauspieler, Trinker und soziale Körper’, in Ortsbestimmungen: Das Dokumentarische zwischen Kino und Kunst, edited by Eva Hohenberger and Katrin Mundt, Berlin: Vorwerk 8, 2016: 203-216. ISBN: 9783940384805. English version available Here.

‘Conceptualising the Cinematic’, in Extended Temporalities: Transient Visions in the Museum and in Art, edited by Alessandro Bordina, Vincenzo Estremo, Francesco Federici, Milan and Udine: Mimesis International, 2016: 73-86. ISBN: 9788869770517

(Contributor) ‘On the Present and Future of Curatorial Education (discussion)’, Great Expectations: Prospects for the Future of Curatorial Education, edited by Leigh Markopoulos, London: Koenig Books, with California College of the Arts and Banff International Curatorial Institute, The Banff Centre, 2016. ISBN: 9783863359140.

‘Trailer Time: Cinematic Expectations and Contemporary Art’ Exhibiting the Moving Image: History Revisited, edited by François Bovier and Adeena Mey, Zurich: JRP Ringier, 2015: 130-153. ISBN: 9783037643884

‘The Museum as TV Producer’, (with disscussion of  CAC TV, Simon Denny, GALA Committee, Karen Guthrie and Nina Pope, David Hall, LuckyPDF and Christian Jankowski, among others), International Handbooks of Museum Studies: Volume 3: Museum Media, edited by Michelle Henning, Oxford: Wiley-Blackwell, 2015: 121-143. ISBN: 9781405198509

Time-Based Art, Art and Architecture of Ireland, Volume Three: Sculptors and Sculpture 1600-2000, ed. Paula Murphy, Dublin and New Haven: Royal Irish Academy and Yale University Press, 2014: 530-533. ISBN: 9780300179217

‘Blog Time’, Cultures of the Curatorial 2: TIMING – On The Temporal Dimension of Exhibiting, edited by Beatrice von Bismarck, Rike Frank, Benjamin Meyer-Krahmer, Jörn Schafaff and Thomas Weski, Berlin: Sternberg Press, 2014: 211-214. ISBN 9783943365993

‘Celtic Revivals: Jim Fitzpatrick and the Celtic Imaginary in Irish and International Popular Culture‘, in Linda King and Elaine Sisson (ed.s), Ireland, Design and Visual Culture: Negotiating Modernity 1922-1992, Cork University Press, 2011: 251-265. ISBN 9781859184721

‘A bit of a traveller in everybody: Traveller Identities in Irish and American Culture’
in Diane Negra (ed), The Irish In Us: Irishness, Performativity and Popular Culture, Duke University Press, 2006: 282 – 317. ISBN 9780822337409

‘Theorising Irish Animation: Heritage, Enterprise and Critical Practice’
National Cinema and Beyond: Studies in Irish Film 2, edited by John Hill and Kevin Rockett,
Dublin: Four Courts Press, 2005: 79-89. ISBN 9781851829538

‘From No Wave to National Cinema: The Cultural Landscape of Vivienne Dick’s Early Films (1978-1985)’
in Kevin Rockett and John Hill (eds.), National Cinema and Beyond: Studies in Irish Film 1,
Dublin: Four Courts Press, 2004: 61-76. ISBN 9781851828739

‘Between the Seasons’
The Glass Eye: Artists and Television,
edited by Maeve Connolly and Orla Ryan, Dublin: Project Press, 2000: 42-53. ISBN 1872493181