(Exhibition review) Willie Doherty, Kerlin Gallery, Art Monthly 438, July-August 2020: 33-35.

(Art Writing) ‘Becoming Infrastructural’, Everything Is Somewhere Else, edited by Dennis McNulty, Berlin and Dublin: Paper Visual Art Journal, 2020: 16-19. ISBN: 9781916150904

‘Profile of Michael Hanna’, Art Monthly 437, June 2020: 17-18.

(Short text), ‘Tina O’Connell, In Dublin‘, Visual Artists News Sheet 100 (special issue on sculpture), March 2020: 12.

(Exhibition review) ‘Jaki Irvine, Kerlin Gallery’, Frieze, 27 February 2020. https://frieze.com/article/jaki-irvine-materializes-endless-reverberations-single-song

(Exhibition review) ‘Daphne Wright, A Quiet Mutiny’, Art Monthly 433, February 2020

(Exhibition review) ‘13BC, Fatal Act’, Art Monthly 432, December 2019, 24-25.

(Report) Letter From North Norway, Art Monthly 390, October 2015, 40.

(Feature) ‘Artists’ TV’, Frieze Blog, 11 May 2016.

(Feature) Celine Condorelli: Permutations of the Prop, Part 2, The Exhibitionist (Blog), March 1, 2016.

(Feature) ‘Celine Condorelli: Permutations of the Prop, Part 1‘ The Exhibitionist (Blog), February 8, 2016.

(Exhibition review)  ‘Dan Walwin, Sun room’ (exhibition at Project Space P/////AKT, Amsterdam), This is Tomorrow, May 1, 2015

(Feature) ‘Berlin’s New Society for Visual Arts’, (article on the NGBK Berlin) Enclave Review 8, 2013: 11-12.

(Feature) ‘Studio Spaces’, (article on works by Auto Italia South East, Gerard Byrne, CAC TV, Luke Fowler, Pierre Huyghe, Liz Magic Laser, Nam June Paik, Olivia Plender, Elizabeth Price, Katya Sander and Rirkrit Tiravanija), Frieze 155, May 2013: 208-212.

(Discussion) ‘Thoughts About Curating Moving Images’, Interviewed by Filipa Ramos (with Erika Balsom and Chrissie Iles), Mousse Magazine 38, April 2013: 56-61.

(Exhibition review) ‘Shane McCarthy Loop System’, Mousse Magazine Issue 37, February 2013: 142-145.

(Feature) ‘Moss Piglets, Meteorites and Mind-Games’, (article on Pierre Huyghe and Documenta 13) Fugitive Papers Issue 3, Autumn 2012: 16-19.

(Feature) ‘Staging Television: James Coleman’s So Different…and Yet’, Mousse Magazine 27, February 2011: 160-165.

(Exhibition Review) Sarah Browne, Project Arts Centre Artforum, September 2011: 357-358.

(Exhibition Review) Dougal McKenzie, Third Space Gallery Artforum, Summer 2011: 419.

(Exhibition review) Declan Clarke, Mother’s Tankstation Artforum, April 2011: 227.

(Exhibition review) ‘School Days’, Lewis Glucksman Gallery Art Monthly 343, February 2011: 29-30.

(Exhibition review) ‘re : public’ Art & The Public Sphere, volume 1, number 1, 2011: 92-97.

(Exhibition review) Phil Collins, Kerlin Gallery Artforum, January 2011, 232-233.

(Exhibition review) ‘Aesthetic Journalism in Practice: Manifesta 8 and the Chamber of Public Secrets’ Variant 39/40, Winter 2010: 38-39.

(Exhibition review) Haroon Mirza, “Anthemoessa’, Mother’s Tankstation MAP Issue 22, Summer 2010: 82.

(Exhibition review) Katie Holten, Hugh Lane Gallery Artforum, April 2010: 207-208.

(Exhibition review) Fergus Feehily, Douglas Hyde Gallery Artforum, January 2010, 213.

(Exhibition review) Garrett Phelan, Mother’s Tankstation Artforum, September 2009, 304-305.

(Exhibition review) James Coleman Artforum, Summer 2009, 349.

(Exhibition review) Lonnie van Brummelen and Siebren de Haan, Project Arts Centre Artforum March 2009: 254-255.

(Exhibition review) ‘Getting Even: Oppositions + Dialogues in Contemporary Art’  Art Monthly 323, February 2009: 22-23.

‘Art and (New) Media, Through the Lens of the IMMA Collection’ What is Series 1, Dublin: IMMA Education and Community Programmes, 2009: 8-15.

(Exhibition review) Ulla von Brandenburg, Irish Museum of Modern Art Artforum, December 2008: 313.

‘Close Encounters of the Fourth Kind’ In Media Res, MIT Comparative Media Studies Program, March 2008.

(Exhibition review) ‘Cinema Spaces and Structures at the 52nd Venice Biennale’CIRCA 121, Autumn 2007: 106-109.

(Exhibition review) ‘Jesse Jones, 12 Angry Films’  The Visual Artists’ News Sheet: Critical Review Supplement Issue 1, December 2006: 9.

(Exhibition review) ‘Venice and the Moving Image’  Afterimage: Journal of Media and Cultural Criticism, 33.1 July 2005: 10-11.

(Exhibition review) ‘Emporium of the Senses: Spectatorship and Aesthetics at the 26th São Paulo Bienal’ Third Text, Vol 19, Issue 4, July 2005: 399-409.

(Exhibition review) ‘The Visible and the Invisible: A Partial View of Open EV+A 2005’ CIRCA: Irish and International Visual Culture 112, Summer 2005.

(Exhibition review) ‘Nomads, Tourists and Territories: Manifesta and the Basque Country’ Afterimage: Journal of Media and Cultural Criticism, 32.3, November/December 2004: 8-9.

‘Green Screen, Review of 30 Years On: The Arts Council and the Film Maker’ (Festival Review) CIRCA: Irish and International Visual Culture 104, Summer 2003, 2-23.

(Exhibition review) ‘How Things Turn Out, Irish Museum of Modern Art’ CIRCA: Irish and International Visual Culture 100, summer 2002.

(Exhibition review) ‘Plateau of Humankind: The 49th Venice Biennale’ CIRCA 97, Autumn 2001.

(Exhibition review) ‘Barcelona: James Coleman’, Fondacio Antonio Tapies CIRCA 91, 2000: 60.

(Symposium review) ‘A Constructive Lack of Agenda’  CIRCA 89, 1999: 19-20.

(Review article) ‘Siting Belfast: Context, Audience and the Symbolic Economy of the City’ Variant, Vol. 2 No. 7, 1999.

(Feature) ‘Postcard from Dublin’ SuperUmbau (Interdisciplinary Urban Project Newspaper) Winter Edition, 1998.